On one side, an economy exponentially craving for content. On the other, a static, unprepared landscape ripe for disruption. The stage is set for a redistribution of value in a vibrant and volatile environment: Witness the formation of a new visual content ecosystem. It’s been a cascading series of announcements:
Unlike the Hype Cycle, the areas of disillusionment haven’t stopped developers from making tremendous progress creating and implementing real-life AI-based imaging solutions that enable users to more easily and more creatively capture, enhance, manage, share or print their visual content.
The first iteration of the internet, the one we are still somewhat experiencing, was built on the fundamental belief that content should be free. In its early days, it was to be this fantastic social experiment where anyone and everyone would be able to share anything, anytime, with anyone. It
I’ve been very busy wrapping up our DIY video apps market study, so this week no feature article but covering some interesting industry news instead: MyHeritage. Animating these old photos. We all know the value of our irreplaceable family pictures. But what if they could be animated and it appears that
Shutterstock’s acquisition of 3D marketplace Turbo Squid is significant for a few reasons, some of which might not be obvious. The first and well-understood purchase trigger is that the microstock company is under pressure to expand its offering horizontally. There is a known ceiling to the paid licensed still images
Remember Framen? This German startup’s CEO, Dimitri Gärtner, did a Show & Tell presentation at Visual 1st two years ago, showing his company’s digital frame photo viewing solutions. To my surprise, I learned a few days before Christmas that a company no less than Axel Springer had just acquired the