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Too much about nothing. Tired of microstock, of Getty’s quarterly report, of the nay sayers and doomsday scenario ? Tired of pictures of cows in a field or girls wearing a black suit smiling while wearing a headset? Well head on the the land of great photography as it isContinue Reading

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One big difference between Editorial and Commercial photography, is that in the Editorial world you have to go find the images. and then you have to go out and sell it. In the case of the terrorist attack on the Scottish airport, for example, agencies were on the phones locatingContinue Reading

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While Johnathan klein, CEO of Getty is running to New York, leaving wife and children behind in rainy Seattle, to cheer up the investment community in a desperate effort to convince them that their stock is attractive, it seems that some sort of messy chaos is going on. First, theyContinue Reading

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Over and over one can read, or hear, that photojournalism is dead, or dying. And it is, but not for the reason that one might think. What is really dying is the journalism in photojournalism . A while back photographers were great investigators, reporters, that would uncover a story andContinue Reading

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There is a computer term to describe the management of lists. It is called LIFO, for Last In First Out. It should be a photo agency term too. What used to be the field of editorial photography is now becoming a standard in all websites, be it commercial stock toContinue Reading

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While other website owners seem to spend their days looking at how many images Fotolia has or has not uploaded (who cares ?), and others become experts at playing the stock market, Brian Storm and his team have again come out with a magnificent multimedia. If you have 10 minutesContinue Reading

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Cultural differences between countries are not just limited to the content of the image. Sure, in commercial stock, an image buyer from a certain country will look for people of the same race/origin as the country the image will be published in. We just do not look like each otherContinue Reading

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Filing in the blanks. Stock photographers fill in the empty spots of an agencies collection. I really want to know, who gets up one day and decides to become a professional stock photographer ? “my job”, I would assume they are thinking “will be to shoot for an archive”. HopefullyContinue Reading

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It seems that these days, the main difference between a pro and and talented photographer is the quality of the keywording. Having no experience, and certainly no coaching from an agency, the amateur can find some relief and help in microstock sites. But if you look at the photo sharingContinue Reading

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One of the best kept secret of this industry is how agencies work in foreign markets. In the prints days, an agency would work with a sub agent in a specific country. Photographers would send process or unprocessed film and the agency would take it from there, paying for processing,Continue Reading